Ti (体) and yong (用) can be understood in three different ways: 1) a physical thing and its functions or roles; 2) the ontological existence of a thing and its expression and application; and 3) the fundamental code of conduct, and its observance. In any ti–yong relationship, ti provides the basis on which yong depends.
Maximal functioning means that all kinds of appearances of Dao in the external world are the greatest manifestation and functioning of Dao. Daoist scholars believe that the internal Dao determines the basis for changes in the external world, and that all kinds of forms in the objective world derive from the active, innate nature of Dao, the result of unity of substance and function. In “Twenty- four Styles of Poetry,” Sikong Tu(837-908), a literary critic in the Tang Dynasty, made this notion a term of literary criticism to highlight the view that the rich and colorful imagery in poetry represents unity of the internal spirit of the work and its external shape. In poetry writing and appreciation, one should focus on the harmony between the appearance and the essence.
This term means choosing to be useless to realize the preservation of life. Originating in Zhuangzi, choosing to appear useless is a way advocated by Zhuangzi (369?-286BC) for preserving one’s life. He said that very able people are often required to shoulder many responsibilities, which will result in greater difficulties and dangers harmful to their physical and mental health. Zhuangzi concluded that only by giving up the desire to advance or become useful, showing instead how useless one is, can one avoid the perils of the human world and therefore preserve one’s life.