Writing should be substantive and succinct in expressing main ideas or key content. “Succinctness” means to capture the essence. The idea comes from The Book of History, originally referring to the requirement that government edicts and regulations should be terse and to the point. Liu Xie ( 465 ?- 520 ? or 532 ?) applied this into literary criticism, emphasizing that writing should be both substantive and pithy, striving to capture the essence. This term reflects the traditional pursuit for “succinctness” in Chinese culture, which prefers to convey a rich message in a concise way rather than seek novel expressions that may overshadow the essence of the writing. Later on, this became a fundamental requirement for the classical style of writing and provided important guidance for literary creation.
This expression means to manage wealth properly and speak correctly. The ancient Chinese regarded these to be the two basic functions of power. “To manage wealth” means enabling wealth to be allocated in a reasonable and orderly manner; “to speak correctly” means making officials speak in accordance with norms and laws, then further guiding the words and deeds of the people to also accord with norms and laws. Once the allocation of wealth is reasonable and words and deeds accord with norms and laws, good order and good conditions will ensue throughout the entire country and society. There are similarities between this concept and what is described today as tangible and intangible development.
This term means to establish credibility by careful use of language. The Chinese character xiu (修) refers to the careful selection of words and phrases as well as logical arrangement of text in writing a story, and some believe that it also refers to the cultivation of one’s mind. The Chinese character ci (辞) refers to what one says, and some interpret it as governance of public affairs and cultivation of good manners. The Chinese phrase licheng (立诚) means to establish credibility. When it comes to the writing of stories, it means what one writes about is true, the rhetoric one uses is plain and simple and one is sincere in expressing his feelings. Because of different written explanations in ancient books as well as different interpretations about the relationship between xiuci and licheng, this set phrase has primarily two meanings. The first addresses the overhaul of rituals and music as well as legal codes. This means that rulers must compose documents or essays with sincerity so that the principles for governance and social norms can be explicitly illustrated in documents or essays. As a result, the principles for running the country and social norms will be accepted by the public from well-written documents and essays, and be followed to the letter. The second refers to the expression of what a writer really thinks and feels when it comes to the writing of stories or essays. Confucianism holds that diction conveys what a writer thinks and feels, and hence the moral integrity of the writer can find expression in what he writes. If anything, this phrase indicates the importance Chinese people attach to the consistency between language and reality, between one’s words and actions, and between one’s appearance and inner thoughts.