A poet should directly express his thoughts and sentiments when he is inspired. This is a concept for writing poems proposed by poetry critic Zhong Rong (?-518?)of the Southern Dynasties in his work The Critique of Poetry as a reaction to the excessive use of allusions and quotes from earlier works. Inspired by naturalist ideas of Daoism and by his own reading of the fine works of earlier poets, he developed a new form of poetic creation which he named “direct quest.” By this, he meant directly describing matters that one senses and learns about, directly expressing one’s inner feelings, and creating aesthetic images in which the sensibilities match up with current realities. The theory of inner self used in Ming- and Qing-dynasty poetics was influenced by this idea.
This term refers to an effect that allows lasting satisfaction and rewarding in poetry appreciation, which is a particular sense of beauty offered by poetry. In the Southern Dynasties, poetry critic Zhong Rong (?-518?)proposed in “The Critique of Poetry” that in writing five-character-per-line poems, one should pay special attention to the combination of form and content, so that readers could enjoy a poem with inexhaustible delight. Later, nuanced flavor also came to refer to a kind of taste in literary and artistic creation.
The term refers to the primordial state of things, unaffected by the various meanings imposed on it by man. The concept of naturalness in philosophy is different from that of nature in the ordinary sense. In daily language, the term refers to the physical world, which is independent of human interference, as opposed to human society. In philosophy, there is also a natural state of man and society. In political philosophy, “naturalness” specifically applies to the natural state enjoyed by ordinary people free from the intervention of government supervision and moral edification. Daoism holds that in governance a monarch should conform to the natural state of the people.
The term refers to an individual’s inner mind vis-à-vis the outside world, which consists of two aspects, namely, temperament and talent. During the Southern and Northern Dynasties, xingling (inner self) became widely used in literary writing and criticism. It refers to the combination of a writer’s temperament and talent, other than his social ethics, political beliefs, and literary traditions; and it stresses that literature is inspired by traits of individuality and should give expression to them. During the Ming and Qing dynasties, along with the trend of giving free rein to individuality and shaking off intellectual straitjacket, renowned scholars such as Yuan Hongdao(1568-1610) and Yuan Mei (1716-1798)advocated giving full expression to one’s inner self, namely, one’s thoughts, sentiment, emotion and views. They underscored the role of intellectual and artistic individuality in literary creation as opposed to the rigid School of Principle of the earlier Song and Ming dynasties, literary dogma and blind belief in classicism which constrained people from expressing human nature and inhabited literary creativity. The Xingling School thus became an important school in literary creation.
This term means poetry creation should present the unembellished beauty of nature and the genuine sentiments of human beings. The original meaning of yingzhi (英旨) is good taste. Used as a literary term, however, it refers to charming content and aesthetic conception in poetry. In The Critique of Poetry, Zhong Rong(?-518?) of the Southern Dynasties called on poets to express their thoughts and sentiments in their own words and opposed borrowing expressions from ancient poets. He criticized the excessive attention to ornate language and tonal rhythms in the writing of five-character-per-line poetry. He maintained that spontaneously created poems of good taste were most valuable. The expressions “natural” and “simple and unaffected” in later literary criticisms contain Zhong Rong’s ideas.