This term means suffering injustice in life can spur one to create great works. It originated from the “Preface by the Grand Historian to Records of the Historian.” After Sima Qian (145 or 135?-? BC), an official in the Western Han Dynasty, suffered the unjust punishment of castration, his indignation spurred him to write the great work, Records of the Historian. In the book he gave expression to his thoughts, feelings, and aspirations, which made the book a classic for later generations. The expression “indignation spurs one to write great works” was used to explain one of the motivations and reasons for creating masterpieces. It points to the fact that injustice suffered by an author often turns out to be the source of inspiration for him to write a literary masterpiece. It later led to similar terms like “cry out against injustice” and “a good poem is the product of pent-up emotions.”
This expression originally denotes an observation that when objects lose their balance, they make sounds. Figuratively, it means that an ill-treated person will make sounds of protest and complaint. Han Yu (768-824), a famous writer in the Tang Dynasty, used the phrase to point out that writers will be driven to write when the outside world invokes in them feelings of injustice. Feelings like this compel writers to expose injustices through literature. This theory is a continuation and development of Confucius’ (551-479 BC) “Poetry can address grievance” and the Grand Historian Sima Qian’s (145 or 135? -? BC) “Indignation spurs one to write great works.” Ouyang Xiu (1007-1072) in the Northern Song Dynasty further proposes “A good poem is the product of pent-up emotions.” He believes that only when a poet is trapped in a difficult and even perilous position with pent-up anger and frustration will he be able to compose quality poems.
A poet will be able to produce a quality poem only when he is in a difficult and perilous environment, feeling suffocated with pent-up anger and frustration. The word qiong (穷 difficulty) does not mean the physical deprivation of material means but refers more broadly to adverse situations in life. Gong (工 quality) means artistically refined and beautiful. This idea was put forward by Ouyang Xiu (1007-1072), a renowned leader in the literary world of the Northern Song Dynasty. He believes that adverse situations will enable poets to transcend the desire for worldly gains and assist them to depict with sophistication and insight scenes and people in the real world that have a universal significance. Ouyang Xiu’s theory not only continues but also develops Sima Qian’s (145 or 135?-? BC) “indignation spurs one to write great works” and Han Yu’s (768-824) “cry out against injustice.” This concept no longer focuses on expressing the poet’s own indignation or frustration but seeks instead to shed light on the way a great poem comes into being. Later on, the proposition became a mainstream theory in literary criticism regarding the origins of literary masterpieces.