This refers to evil prevailing over good and falsehood being mistaken for truth in literature and art as well as in social life. It is red, not purple, that was viewed as a truly proper color by the ancient Chinese. Confucius(551-479 BC), upset by the loss of judgment over good and evil, and by the fact that vulgar music was taking the place of refined classical music in the Spring and Autumn Period, called for dispelling confusion and putting things in the right order. With this in mind, Liu Xie(465?-520) of the Southern Dynasties criticized some writers for abandoning Confucian teachings and catering to vulgar tastes. Scholars of later generations used this notion to reaffirm Confucian criteria and norms for literary creation.
The term refers to a kind of classical music in China. Noble and pure, it was the music used by kings in ancient times when worshipping heaven, earth, and ancestors, receiving congratulations from other quarters of the world, or holding feasts and major ceremonial activities. Chinese classical music often eulogized the royal court’s accomplishments; its melodies were tranquil and stately, its wording elegant and tasteful, and its performance of song and dance followed explicit codes of etiquette. Rulers of all dynasties used this kind of music as an effective means to instruct their people and promote civic virtue. As a courtly tradition, the music was necessarily conservative. However, throughout history the assimilation of elements of folk song and dance, as well as the music and dance of foreign lands, inevitably led to innovation. Thus, it maintained throughout the ages the highest levels of musical excellence. After the Tang Dynasty, this kind of music spread to other Asian countries such as Japan, Korea, and Vietnam, becoming a constituent part of their musical culture.
It is originally a term in ancient Chinese music. It has two meanings: 1) The refined and pure music encouraged by Confucian and official circles; sometimes it was also a general term for the five notes of ancient music gong, shang, jue, zhi, and yu. 2) Examples of the finest poems and songs. Confucian scholars believed that the content and music of The Book of Songs were the best and most refined, and thus were set as the models for zhengsheng, or the finest poetry. Gao Bing(1350-1423) of the Ming Dynasty named his collection of carefully selected Tang poems A Selection of Finest Tang Poems in an effort to present the finest and purest examples of different styles of Tang poetry for later generations.
This refers to popular folk music in history, as opposed to formal ceremonial music. The term, originally “the music of Zheng and Wei,” referred to music from the states of Zheng and Wei during the Spring and Autumn and the Warring States periods. Unlike stately, grand and highly structured classical music, the music of Zheng featured free-flowing melodies and a wealth of variations, with lyrics that often spoke of the love between men and women. Confucius (551-479 BC) felt that works of this sort gave free rein to personal emotions and lacked purity in ways of thinking, that they were not conducive to educating people through etiquette and music, and should therefore not be permitted. Many scholars subsequently used “the music of Zheng” to refer to lowbrow arts, but others considered these tunes to be folk songs which were a form of popular culture, a source of artistic creation and a complement to highbrow arts.