This term refers to poetry that reflects social realities and major events of a historical period, thus possessing historical value. Some of the poems in The Book of Songs were about the realities of its time, which prompted Confucius(551-479 BC) to exclaim that “The Book of Songs enables one to understand society.” This means that he viewed The Book of Songs as using poetry to reflect history. Han dynasty scholars stressed the importance of poetry as a means of recording history. Subsequently, Chinese scholars of poetry believed that poetry should reflect reality through aesthetic means so as to provide aesthetic enjoyment, understanding as well as education. The poems of Tang poet Du Fu(712-770) are called “historical poetry” because they reflected what the country went through during the An Lushan-Shi Siming Rebellion and the author’s acute sense of sadness about the misery the country and its people suffered in times of national crisis.
Shi (诗) is a major genre of ancient Chinese literature, the earliest literary form that emerged in China. Observing the requirements of a certain rhythm, rules of rhyming, number of characters, and type of verses, and using concise language and rich imagination, it reflects social life and conveys thoughts and emotions. Shi and wen (文) are two principal forms of ancient Chinese literature. Shi, as referred to by the ancient Chinese, consists of the older type of poetry and the latter type of poetry. It generally does not include ci (词 lyric) and qu (曲 melody), which appeared as literary genres after the Tang Dynasty. The older type of shi is also called gufeng (古风), meaning ancient style, which is a general appellation for all kinds of poetic forms produced prior to the latter type of shi, except the style employed in the odes of Chu. With relatively few restrictions in rules and forms, shi is not constrained by any antithetical arrangement or a fixed tone pattern, and its rhyme is fairly free. In addition, the length of a piece is not limited. A verse may have four, six, seven, or a mixed number of Chinese characters. The latter type of shi is also called gelüshi (格律诗), meaning poetry with fixed patterns. Its number of characters, rhyming, tone pattern, and antithetical arrangement are all strictly fixed. A poem of this type may contain four lines (known as jue 绝), each with five or seven characters, or eight lines (known as lü 律), each with five or seven characters. Occasionally, it is much longer than normal, expanding to one and a half dozen lines, which is referred to as pailü (排律). The difference between shi, and ci and qu is that the former is not set to music, while the latter may be set to music and sung. Shi has existed as a literary form for more than 2, 000 years in China. Ancient Chinese used shi to connect humans with nature, voice aspirations, and give expression to emotions. It embodied the spirit and aesthetic pursuits of literature and art in ancient China, which is very different from the West, which only sees poetry as a category of literature. In ancient China, Confucian thought played an important guiding role in poetic creation, while Daoist and Buddhist thoughts had a profound influence on the theory of poetry’s artistic conception. Since The Book of Songs was China’s earliest collection of poems, later generations also used shi to refer to The Book of Songs in particular.
In ancient inscriptions on tortoise shells and ox scapula, together with inscriptions on ancient bronze objects, the pictographic Chinese character shi (史) represents a hand holding a writing brush or a hand holding a bamboo slip, referring to a court official in charge of keeping historical records. Explanation of Script and Elucidation of Characters by Xu Shen (58? - 147) in the Eastern Han Dynasty goes: “Shi is the person who keeps records of events. A hand in the middle implies maintaining justice.” Same in sound, two differently-written Chinese characters shi (史 history) and shi (事 events) are from the same origin, and those who keep notes of what happens are called shi (史record keeper) and what they write down is shi (事records). Later, what the officials in charge of keeping records of historical incidents or events or collections of these incidents or events as well as comments about them are also called shi (史), which literally means history. According to Xu Shen, the original pictograph representing the Chinese character shi looks like a hand kept in the middle, which means keeping records of historical incidents or events objectively without lending favor to any side of an issue. Great emphasis was once placed on keeping records of history, and during certain periods, even the sovereign rulers were not allowed to interfere with the work of officials in charge of keeping records of historical incidents or events. On the one hand, by keeping records of historical incidents or events, such officials posed a deterrent to rulers, who had to be careful about what they said and what they did. On the other hand, by keeping records of or commenting on historical figures or events, lessons could be summed up or examples be set up, which rulers could draw on and learn from. This tradition constitutes an important aspect of Chinese people’s humanistic and rationalistic spirit.
This refers to historians or history books that record historical facts in an objective and truthful way based on evidences without covering up anything. Objectivity is the ultimate criterion for judging historians or history books in historiography.
According to the renowned historiographer Liu Zhiji (661-721)of the Tang Dynasty, those who study and write history must have three strengths, namely, the ability to compose historical works, rich knowledge of history and historical materials, and deep insight that enables them to analyze and evaluate history. Liu believed that deep insight in analyzing and commenting on history was the most important of the three qualifications.