KEY CONCEPTS

TERMBASES

Start with Feelings and Control with Propriety

Poems and lyrics arise from genuine feelings, which, however, should not be excessive but be controlled by ritual propriety and righteousness, so as to be tactfully persuasive. This term was first used when commenting on The Book of Songs and then developed into a guiding principle for literary creation in general. It not only acknowledges people's instinctive desires and the need to express and describe such desires, but also emphasizes that Confucian ethics should be employed to contain and guide feelings, which should neither be improperly vented nor transgress the boundaries of society, politics and ethics. Thus, feelings expressed via poetry are both individual and social.

CITATION
1
Official historians of the Zhou Dynasty were aware of lessons concerning political gain and loss, lamented the abandonment of codes governing human relations, bemoaned the harsh enforcing of laws and government, and sang or chanted to express their feelings and emotions, in order to admonish the monarch. They knew well the vicissitudes of worldly affairs and were nostalgic for bygone customs. “A variation in poetic style” is expressive of poets' inner feelings and, for that matter, an articulation of common folk's natural inclination, but such expression should be kept within the confines of propriety and justice, a good heritage left by the late kings.
CITATION
2
Not to express feelings and emotions naturally does not conform to propriety and righteousness, so there should be joy and sorrow in poems. Feelings and emotions expressed not necessarily conform to propriety and righteousness, and thus sorrow and joy in poems should be kept within the confines of propriety and righteousness.
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