This term is a Confucian statement about the relationship between literature and ideas. Wen (文) refers to literary creations and works, while dao (道) refers to the ideas conveyed by literary works. Writers and philosophers in ancient China explicated these ideas as Confucian thought and ethics. Han Yu (768-824), leader of the mid-Tang-dynasty Classical Prose Movement advocating the prose style of the Qin and Han dynasties, and some others proposed that the purpose of writings should be in line with the classics of the ancient sages as well as promote them. Zhou Dunyi(1017-1073), a neo-Confucian philosopher of the Song Dynasty, expounded the principle of literature serving as a vehicle of ideas. He concluded that literature was like a vehicle while ideas were like goods loaded on it, and that literature was nothing but a means and a vehicle to convey Confucian ideas. This theory was valuable because it stressed the social role of literature and emphasized that writers should know what they were writing about to ensure that their works conveyed correct ideas. However, it underestimated the aesthetic value of literature and later met opposition from thinkers and writers who emphasized the value of literature per se.
In its original meaning, dao (道) is the way or path taken by people. It has three extended meanings: 1) the general laws followed by things in different spheres, e.g. the natural order by which the sun, moon and stars move is called the way of heaven; the rules that govern human activities are the way of man; 2) the universal patterns followed by all things and beings; and 3) the original source or ontological existence of things, which transcends form and constitutes the basis for the birth and existence of all things, and for the activities of human beings. In their respective discussions of Dao, Confucianism, Daoism, and Buddhism imbue it with very different connotations. While benevolence, righteousness, social norms, and music education form the basic content of the Confucian Dao, the Buddhist and Daoist Dao tends to emphasize kong (空 emptiness) and wu (无 void).
A poem expresses aspirations in one’s heart. Zhi (志) here means the author’s aspirations, emotions, and thoughts. The concept of “poetry expressing aspirations,” first seen in the Confucian classic The Book of History, was hailed by Zhu Ziqing as the “manifesto” of Chinese poetry. Enriched by poetry critics through the generations, it was later established as a basic concept in Chinese literary criticism.
In Confucius’ (551-479 BC) time, how well one understood The Book of Songs was a sign of his social status and cultural attainment. If one did not study it, one would find it difficult to improve one’s ability to express oneself and to converse with people of high social status. Confucius’ elaboration on the relationship between studying The Book of Songs and social interaction actually expounds on the importance of literature in education.