The term means to put forth one’s thoughts in a clear and concise way when speaking and writing. Confucius (551-479BC) opposed excessive efforts in pursuit of extravagant writing styles. He stressed that writings need only to express one’s ideas and feelings clearly and precisely, and he advocated a concept of aesthetics that valued the combination of elegance and simplicity. This concept was successively inherited and developed by Liu Xie ( 465 ?- 520 ? or 532 ?), Han Yu (768-824 ), Su Shi (1037-1101), and others, resulting in a Chinese literary style that strives for natural and pithy expression as opposed to extravagant embellishment.
This term refers to a literary writing style that is ornate and flowery in diction and excessively detailed and exhaustive in description, in contrast to being “simple and concise.” The tendency to write elaborately about an idea in ornate language first emerged in the Western Jin Dynasty, represented by the writings of Lu Ji (261-303). His works were rich in allusions and antitheses, meticulous in diction and description, and elaborate and ornate in style. At the same time, these writings suffered from a lack of clarity and novelty. During the Qi and Liang of the Southern Dynasties, this overly elaborative style was listed as one of the eight major literary styles in Liu Xie’s (465?-520? or 532?) The Literary Mind and the Carving of Dragons.
This term refers to verses original in theme, sincere in feeling, distinctive in image, and refreshing in diction. “Refreshing” stands opposed to ornate phrases and excessive literary quotations, and indicates both fresh and natural expressions as well as elegant style and subtle aesthetic conception. What “exquisite” indicates is not that the wording itself is resplendent, but that there is complete freedom from vulgarity, and that the imagery is sharp with real sentiments. As a poetic term, it refers to the general feature of a poem, including its linguistic style.
The term of lotus rising out of water describes a scene of freshness, quiet refinement and natural beauty, in contrast to “gilded and colored” embellishments. During the Wei and Jin dynasties, people valued nature and favored this aesthetic view. In their artistic creations, they pursued the natural and fresh style like lotus rising out of water. They sought natural presentation of their ideas and were opposed to excessive ornamentation.
This term means poetry creation should present the unembellished beauty of nature and the genuine sentiments of human beings. The original meaning of yingzhi (英旨) is good taste. Used as a literary term, however, it refers to charming content and aesthetic conception in poetry. In The Critique of Poetry, Zhong Rong(?-518?) of the Southern Dynasties called on poets to express their thoughts and sentiments in their own words and opposed borrowing expressions from ancient poets. He criticized the excessive attention to ornate language and tonal rhythms in the writing of five-character-per-line poetry. He maintained that spontaneously created poems of good taste were most valuable. The expressions “natural” and “simple and unaffected” in later literary criticisms contain Zhong Rong’s ideas.