This term means using a literary form to express resentment towards social injustice and satirize and admonish those in power. It especially refers to the poems in The Book of Songs, in which poets criticized and satirized the politics and the ruling class of the time to vent their indignation and resentment. Scholars in the Han Dynasty considered resentment in The Book of Songs as controlled venting and the satiric sting constructive admonishment. They therefore combined the two into a term of literary criticism with positive implication. After the Tang and Song dynasties, the term gained a connotation of intense criticism and indignation. However, the essential meaning was still a yearning for good governance and social harmony.
The term refers to the use of allegories to convey popular mood and public opinion and make critical comments on state affairs to the ruler in a tactful manner in the hope to persuade him to correct wrong policies. Feng (讽) represents making critical but persuasive comments subtly through poetry or prose; yu (喻) means delivering an explicit message. Such literary writing is intended to be both critical and persuasive; and it has two integral aspects, namely, a subtle literary way of expression as required by feng, and its social function of sending explicit messages to the ruler as required. The theory of subtle admonition was advocated by scholars of the Han Dynasty based on their interpretation of The Book of Songs. Confucian scholars from then on promoted the use of subtle admonition to influence decision-making of the ruler and social mores in a literary way. Bai Juyi(772-846), a poet of the Tang Dynasty, wrote many such poems, further reinforcing the social function of poetry and advancing this literary tradition, which had great impact on literary creation of later generations.
This literary term is used in poetry to comment on a ruler’s moral character, policies, decrees, and performance, either in praise or criticism. Confucius(551-479BC) was the first to point out that poetry could be used to vent resentment and thus established a basic function of poetry writing by emphasizing the role The Book of Songs played in voicing grievances. In the Han Dynasty, however, poetry tended to be used as a vehicle for extolling the accomplishments and virtues of rulers. In “Introductions to Mao’s Version of The Book of Songs” and Zheng Xuan's (127-200)“Preface to On the Categories of The Book of Songs,” two influential writings on theory of poetry published during the Han Dynasty, extolment and satirical criticism was regarded as an underlying principle of poetic criticism. This principle was widely employed by poets and writers of later generations as a way of getting involved in politics and making their impact on the society. This constituted a fundamental function and an essential feature of Chinese literature.
According to Confucius(551-479BC), The Book of Songs served these four purposes, which summarize the basic functions and values of literature. “Stimulation” means that the appreciation of literary works arouses imagination, stimulates reflection on society and life, and inspires aspirations and interests. “Contemplation” means that reading leads to understanding nature, society, life, and politics. “Communication” means that reading encourages discussion with others, and exchange of thoughts and feelings. “Criticism” means learning how to critically express oneself about state affairs and voice inner feelings. These four functions are closely associated and involve the aesthetic, cognitive, and educational functions of literature. Later scholars have continued to make original contributions to the study of these themes.