“Three friends of
winter” refer to the pine, bamboo and plum. In traditional culture, certain
human characteristics are attributed to plants and animals based on their
natural qualities. The pine and bamboo remain green all year round even in the
coldest season, and the plum blooms in early spring when snow and frost are
still frequent. These three plants are cold resistant and retain their beauty
even in harsh weather, just like good friends keep each other’s company during
an icy winter. This term is often used to refer to loyal and steadfast
friendship, and also represent the fine qualities of high-mindedness and
detachment.
The term means likening certain characteristics of things in nature, including plants and animals, to human virtues. When extended to the domain of literary appreciation, it generally involves likening desirable objects to a noble personality. To perceive a natural phenomenon as a reflection or symbol of human characteristics is typical of the Confucian School, which takes aesthetic quality as a moral standard for people as well as literature and arts. Likening humans to nature implies that appreciation of nature is actually appreciation of humanity itself, particularly its moral character. It later became a technique employed in rhetoric and poetry.
This term means a poet uses the techniques of analogy and stimulation to depict the form and the external appearance of things. He takes in internal connotations and the principles of things, thus linking originally different things and combining them. Nirong (拟容comparing appearances) attaches importance to specific forms for bixing (比兴 analogy and stimulation). While quxin (取心 grasping the essence) aims to get at the spirit and the essence of things, it therefore attaches importance to internal connotations and to the principles contained in the form of things. The combined meaning is that by giving expression to the form of things with a certain meaning, one may imply and express his thoughts and feelings. This notion appeared in The Literary Mind and the Carving of Dragons. It developed from niwu lixiang (拟物立象 create images through object imitation) in The Book of Changes. Liu Xie (465?-520) first used this term, mainly to explain that analogy and stimulation are inter-connected but are different: Analogy here means “comparing appearances.” Staying true to the principle of things is most important, and anything far-fetched should be avoided. Stimulation means “grasping the essence,” sensing the abstruse and being connected with the meaning.